In this contemporary adaptation of Pierre Corneille’s brilliant, eponymous 17th century play, the enigmatic Alcandre is now a hotel concierge who uses the myriad in-house high-tech security cameras to show worried father Pridamant the whereabouts and travails of his son, Clindor. As Pridamant witnesses the conflicting romances involving his estranged son, Corneille’s modernist meta-narrative is transposed to contemporary Paris, underscoring the ambiguous nature of love, wealth and desire in an age of consumerism. (Chicago International Film Festival)

Magdy, a successful engineer, is shocked by a fateful moment that he cannot forget, which is when one of the workers falls from a great height in front of him. Magdy decides to go to Alexandria, trying to forget that, and there he meets a couple, the husband, Safwat who loves his wife and meets all her needs, and the wife Souad, who receives this attention coldly since she discovers his greed for her wealth.

In this reportage, film professionals offer the viewers a peek behind the scenes at the Barrandov studios. We see how sets are constructed and we find out what sorts of things are stored in the prop department. The friendly commentary describes the journey from camera negatives to a film on the big screen. We learn about film technology and take a glance into film laboratories and editing rooms. The film also presents unique footage from the filming of The White Disease, namely the dramatic scene with five hundred extras in which the Marshal announces his declaration of war.

A group of young people wants to settle in an abandoned village and revive it

From silent film star Sessue Hayakawa to Harold and Kumar Go to Whitecastle, the Slanted Screen examines the portrayal Asian men in film and television, and how new filmmakers are now re-defining age-old stereotypes.

This short film focuses on the job of the Hollywood screenwriter.

A documentary short film depicting the work of the motion picture director. An anonymous director is shown preparing the various aspects of a film for production, meeting with the writer and producer, approving wardrobe and set design, rehearsing scenes with the actors and camera crew, shooting the scenes, watching dailies, working with the editor and composer, and attending the first preview. Then a number of real directors are shown in archive footage (as well as a predominance of staged 'archive' footage) working with actors and crew.

The time is the late 1920s, and Angelo and Tonino are two brothers traveling around the country in a rattle-trap truck, showing moving pictures to any group of people willing to pay. When they arrive in the region of Emilia-Romagna, Angelo strikes up a relationship with a wealthy marchesa connected to the fascist movement. Tonino, on the other hand, starts to follow the rebellious Giovanni, locked up for his anti-fascist stance, and the farmers who have joined in the anti-fascist forces. As the rebels are either murdered or put in prison, Tonino becomes more and more commited to their cause - especially after Giovanni is killed. When a silent movie on the condemned and dying Christ is shown on the brothers' screen, Tonino stops the action to project some slides he has taken that show who murdered Giovanni - in an action that calls for his brother and the rest of the bystanders to finally make a decision on where to place their loyalties.

Two of Britain's leading film directors - John Schlesinger and Gerald Thomas - share the anxiety, hopes and risks experienced by those involved with the movie industry. The Big Screen follows the production of four British films: the eighth James Bond film Live and Let Die, The Optimists of Nine Elms, science fiction-thriller The Final Programme and The 14. Actors Peter Sellers, David Hemmings, Jon Finch, Roger Moore and Jenny Runacre are among those seen at work.

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